Sure! Here are a few rephrased title options that add variety and creativity while avoiding the specified words:

Sure! Here are a few rephrased title options that add variety and creativity while avoiding the specified words:

1. **Austyn Weiner: The Bold New Voice Shaping Contemporary Art**
2. **Meet Austyn Weiner, the Artist Redefining the Modern Canvas**
3. **Austyn Weiner’s Rise: Color, Chaos, and Creative Power**
4. **Inside the Vivid World of Artist Austyn Weiner**
5. **How Austyn Weiner Is Making Her Mark on the Art Scene**

Let me know if you’d like the tone to be more formal, playful, or tailored to a specific audience.

This week, the spotlight shifts from fashion to the art world, where rising talents are making waves—among them, Los Angeles-based artist Austyn Weiner. She’s making her debut at Art Basel with MASSIMODECARLO, and we caught up with her to talk about her journey and creative process.

Austyn grew up in a lively, artistic household in Miami as the youngest of four. Music was her first passion and still plays a big role in her life. She often jokes that painting is the perfect job because it lets her listen to music all day. Her love for music helped her develop a strong inner voice, which now guides her painting. She started out in photography, working in film and fashion, and while studying at Parsons in New York, she began painting over her photos. That eventually led her to focus fully on painting after moving to California. She taught herself oil painting through hands-on experience.

Describing her style isn’t easy, even for her. Austyn considers herself an abstract painter, but she doesn’t begin with a fixed idea. Her work is deeply personal and reflects her life and emotions. She’s especially drawn to color and uses it as a central element in her art.

Her creative process varies depending on her space. During the pandemic, she worked in a tiny garage and could only manage one or two pieces at a time. Now, with a spacious 5,000-square-foot studio, she juggles around 30 paintings at once. The size of her studio has a big impact on how she works.

When it comes to planning her day, she does a bit of both—some structure, some spontaneity. Once a painting is about 30% done, she lets her instincts take over. She often writes directly on the canvas as part of the underpainting. While she loves starting a new piece, she also enjoys the challenge of solving the color puzzle as she nears the finish.

The time she spends on each painting varies. Some come together in just a few days, while others take months. Letting go of her work has become harder over time, especially for pieces that mark important milestones in her growth. She’s learned to hold on to some of them a little longer.

Music is a constant companion in her studio. Her playlist is eclectic—ranging from Radiohead and Curtis Mayfield to jazz and classical. Lately, she’s been listening to a lot of Bob Seger, depending on her mood and what the work calls for.

Being part of Art Basel this year is a big deal for Austyn. Having grown up in Miami, she’s attended the event many times, long before she ever imagined being a featured artist. Now, she’s excited to present a solo show at the convention center.

While she enjoys art fairs, she doesn’t like staying at her booth all day. She prefers walking around with friends and fellow artists, soaking in the atmosphere. She even daydreams about blending in with the crowd to hear honest reactions to her work.

Austyn has been influenced by a wide range of mentors. During the pandemic, she formed a close bond with a 75-year-old man who once worked at the Troubadour during its heyday. She also has strong connections with artists like Lily Stockman, Hilary Pecis, and Joel Mesler. Her best friend Gigi Hadid and the late Virgil Abloh have been major sources of inspiration. She’s also grateful for the support and guidance of many gallerists and writers who’ve helped shape her career.